A total zero of haunted doll movie.
Reviewed as a guest on Buzzed on Movies!
A total zero of haunted doll movie.
Reviewed as a guest on Buzzed on Movies!
Significantly diminished returns in a second entry, although still with some good creepy moments and bizarre ideas, tying the demon with a sort of pubescent sexuality. The lore makes no sense though.
Edit: I am apparently a dingus because once you start to parse it, there’s lot of gay subtext that I didn’t pick up on
Creepy, suspenseful, well-made slasher with a great premise (don’t fall asleep!) a really thrilling climax and a few resonant images (the bathtub!)
I can never decide if this one is underrated or properly rated. It feels like two movies grafted into one — a comedy about a mom and a daughter coming to understand each other via transformation hijinks, and a more mythic tale of a young girl discovering the dark truths of the world via creepy bear. Both are solid premises and decently executed… but peculiar together.
About as wholesome and idealistic as the story of a lobbyist sleeping with the president could be. I always love listening to a Sorkin-written screenplay.
A rare movie I actively hate. Misogynistic and pointless, kind of filthy but never fun, terribly directed. I was ready to at least enjoy the romcom bits of the best friends falling for each other… but even the love triangle is botched. Avoid.
The sequence from the the old housekeeper ringing the doorbell to the Kims escaping in the rain is one of the single greatest, most physically precise, set pieces I have ever seen.
I feel like I have an infinite appetite for ’80s romantic comedies starring John Cusack. I want to travel the multiverse collecting all of the John Cusack 80s romcoms I can.
This one is pretty solid, with good control of its tone and characters, occasionally funny, and appealing chemistry between Cusack and Daphne Zuniga. And it’s also a road trip movie, because why the hell not. Good fun.
Yikes. For starters, you have a really rough, entirely predictable teen romantic comedy that wants to be fun like Animal House, but is just a chaotic mess. The romance portions are maybe passable, but if so, only barely. (I do like Lori Laughlin here.)
Where it nosedives into catastrophe is the other half of the film, where an entirely misguided romantic farce involving the teens’ parents is thrown into the mix. It’s baffling, but not in a fun way. Just a total misfire.
For whatever reason I am a total sucker for teen dramedies where supposedly platonic best friends have romantic sparks. I’m determined to watch every one of them.
This John Hughes-penned (but not -directed) example of the form is a pretty solid one, but one that stumbles over itself in the ending with some plot points and bits of dialogue that don’t make sense. Also Eric Stoltz is a total piece of plain white toast this entire movie. Flat and bland.
Nov 2020 update:
Rewatched to record for a podcast. There is exactly one great character/performance (Watts), then a bunch of clunkers. Enjoyable and very much up my alley, but still marred by some weird, head-scratching plot and character points in the third act.