Author: Dan Stalcup

Teen comedies are almost exclusively a streaming affair these days.

I was nine years old when The Blair Witch Project came to theaters, so much too young to see something rated R.

It is impossible to watch How to Make a Killing without thinking about Hit Man.

I had long been curious about John Tucker Must Die.

After Walt Disney’s death in 1966, the studio rifled through its development pile for projects that could keep the machine running

Growing up, I understood “hard sci-fi” as a genre with a double meaning

The Color Purple has been through so many layers of adaptation at this point that it’s practically a game of telephone.

For whatever reason, the 1980s remain an endless well of bizarre and inventive thrillers, the kind that surprise you when you find them playing on cable at 1 AM or on a muted bar TV.