Since I responded very powerfully to Emma (2020) a few years ago, I’ve gradually become a Jane Austen appreciator.
Persuasion (2007)
Since I responded very powerfully to Emma (2020) a few years ago, I’ve gradually become a Jane Austen appreciator.
The most crucial moment in Blue Moon arrives in the very first scene, when the protagonist, Lorenz Hart (Ethan Hawke), dies.
I write this in the middle of a motivational and creative drought.
We’ve entered the navel-gazing portion of the calendar.
The world needs weepies.
It’s not often you can honestly describe a film as both “exploitative” and “restrained,” but The Perfect Neighbor lives in an unsettling overlap — and gets a lot of its magnetic power from the fact that it pushes past tasteful boundaries in some areas pulls back in others.
Every time a Scandinavian director gets praised for making a film “reminiscent of Ingmar Bergman,” I brace myself for two hours of immaculate misery and a big, chilly lesson about how people are flawed and feelings are difficult.
In 2006, Pitchfork published a review of the album Shine On by Jet with a 0.0 score.
Imagine me trying, through sheer force of will like Tim Robinson in I Think You Should Leave, to push this into “Good” territory.
Here is my OFCS Awards nominations ballot for 2025.