Series: 2022: Year in Film

The premise of Turning Red — thirteen-year-old Mei Lee transforming into a red panda whenever she gets agitated — is very clearly metaphoric.

Over the past ten years, major American animation studios (mostly excluding Walt Disney Animation Studios) have finally realized that the path forward to improving their visual language was not enhancing the photorealism of their animation.

The title of “Where the Crawdads Sing” suggests that the central concept of the story is its setting.

While watching Lightyear, I couldn’t shake the sensation that I was watching the second movie in a series and had accidentally skipped the first.

I kept waiting, for three hours, for The Batman to really sock me in the jaw.

Satire is hard.

Maverick is unquestionably the best case scenario for a 36-years-later sequel to a loopy, delightful blockbuster that simply did not need one.

Luck is a broken movie in so many ways that I’m not sure where to start.