It feels scientifically engineered to be as boring as possible: People having astonishingly vacant conversations in beige rooms, the central murder mystery given the urgency of a tax return. There’s a long stretch of inexplicable 1982-level CGI. I tried to find some avant garde vibes to love, but it’s just too dull.
Is It Good?
Very Not Good (1/8)
Follow Dan on Letterboxd or Twitter. Join the Discord for updates and discussion.