Director: Baz Luhrmann

Baz Luhrmann burst onto the indie film scene in the 1990s with one of the most distinctive visual styles in all of movies. Aggressive artificiality and razzle-dazzle, decadently embellished and hyperactively edited and musically enriched into packages that approximate the experience of snorting powdered sugar.

Luhrmann, an Australian, has endured an up-and-down critical reputation that’s trended upward in the poptimist, TikTok 2020s. His output has slowed but his influence has grown.

(Luhrmann holds a special place in my heart as the first director for whom I undertook a complete filmography retrospective for The Goods.)

Baz Luhrmann, Chronological

  1. Strictly Ballroom (1992) (Very Good)
  2. Romeo + Juliet (1996) (Very Good)
  3. Moulin Rouge! (2001) (Good)
  4. Australia (2008) (Very Good)
  5. The Great Gatsby (2013) (Not Very Good)
  6. Elvis (2022) (Very Good)

Baz Luhrmann, Ranked

  1. Australia (2008) (Very Good)
  2. Elvis (2022) (Very Good)
  3. Romeo + Juliet (1996) (Very Good)
  4. Strictly Ballroom (1992) (Very Good)
  5. Moulin Rouge! (2001) (Good)
  6. The Great Gatsby (2013) (Not Very Good)

Baz Luhrmann Review Index

TitleDateFilm YearDirectorIs It GoodTags
The Great Gatsby (2013)08/09/20222013Luhrmann, Baz3
Australia (2008)08/03/20222008Luhrmann, Baz6
Moulin Rouge! (2001)07/26/20222001Luhrmann, Baz5
Elvis (2022)07/22/20222022Luhrmann, Baz6, ,
William Shakespeare’s Romeo + Juliet (1996)07/19/20221996Luhrmann, Baz6
Strictly Ballroom (1992)07/12/20221992Luhrmann, Baz6

Dan is the founder and head critic of The Goods. Follow Dan on Letterboxd. Join the Discord for updates and discussion.

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