There is a paradox at the heart of Andrew Lloyd Webber’s empire that Joel Schumacher’s 2004 Phantom of the Opera makes impossible to ignore
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Phantom of the Opera (2004)
There is a paradox at the heart of Andrew Lloyd Webber’s empire that Joel Schumacher’s 2004 Phantom of the Opera makes impossible to ignore
There’s a case to be made that the true line of demarcation between the before-times and the after-times is not March 2020, when the world shut down as COVID spread and quarantine began, but a few months earlier, when Cats arrived in theaters.