A movie so hell-bent on recreating the original that it casts the same voice actress for the villain, gives her the same design (but skinny), and declares her a “sister.”
Author: Dan Stalcup
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Esther Kahn (2000)
Esther Kahn is an unusual concoction of genres: both a backstage theater drama and a coming of age tale. And much of the film’s charm comes from the thematic richness blending and juxtaposing those genres and their usual outcomes:
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A Goofy Movie (1995)
When I watch The Goofy Movie, I become Anton Ego from Ratatouille after he takes that first bite — a crotchety old man brought back to his childhood with some “peasant food.”
As expressive as the raccoons are…
As compelling as the visual allegory is and how much I vibe with parenting stories like this…
As much as I love seeing new hand-drawn animation projects with clear budget and love and artistry behind them…
The stuttery effect of the character animation absolutely ruined my pleasure watching this. I truly cannot understand what artistic effect they were trying to achieve, because it distracted me the entire time.
The first half of The Little Mermaid, in isolation, might be my favorite Walt Disney Animation Studios film.
Part of me wants to be contrarian and rain on all the love this movie gets.
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Parched (2015)
Parched tells the story of a group of Indian women in a rural desert community dealing with a regressive, sexually oppressed society. Marriages are arranged, men can sleep around but women must remain faithful and subservient, marital abuse is routine.
I watched this as part of a virtual movie night with the Alternate Ending community, and it’s tough to imagine a movie more perfect for the format — giddy, over the top, packed with references and cameos, plenty to admire and make fun of, not remotely challenging but plenty clever.
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Barrage (2017)
A depressed young woman gets pregnant during a rough patch in life, not even sure who the father is
Spencer Williams was an early Black filmmaker, a protege of the legendary Oscar Micheaux.