I rewatched this documentary prior to my tour at the Creative Engineering factory that built the Rock-afire / Chuck-E-Cheese animatronics.
I rewatched this documentary prior to my tour at the Creative Engineering factory that built the Rock-afire / Chuck-E-Cheese animatronics.
Update Nov. 2023: Here’s a full review of Trolls.
The screenplay is unfortunately quite a bit prosaic. None of the characterization is strong enough for us to really buy into the romance or Hepburn’s self-discovery.
But the footage of Venice in over-saturated Technicolor? Holy moley. I fell in love with the city all over again. Lean captures it with an intoxicating, almost delirious, beauty. *nostalgic sigh*
I hadn’t seen this since I was a kid, but I watched with my daughters last night.
Film serials peaked in the mid-to-late-1910s, but their epic-yet-episodic storytelling mode didn’t completely vanish.
Edit: I’ve written a full-length review of Psycho, which you can read here.
Howl’s Moving Castle is a bit discombobulated, but charming and lovely.
The Farrelly brothers default filmmaking mode is gross-out humor
Perhaps a bit too generous towards its characters and indulgent in its runtime, but goddamn what a movie. The acting, the extended flowing shots, the use of sound (firecrackers!), the sprawling ensemble… this is cinema at its most robust and vibrant, and I’m here for it.
When I was in high school, the Flash game called Quest for the Crown was one of the funniest things I’d ever seen. (You can see a full playthrough here.)