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Review

The Last Laugh (1924)

The Last Laugh is tightly bound to the time and place in which it was created.

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Review

La Roue (The Wheel) (1923)

Silent cinema is full of legendary figures, but none is quite so mythic as Abel Gance.

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Review

Our Hospitality (1923)

Buster Keaton’s legacy in cinema history is not just one of the two greatest and most beloved silent era comedians (along with Charlie Chaplin), but one of the medium’s great directors, period.

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Review

Foolish Wives (1922)

Erich von Stroheim is a complex and compromised figure from early cinema history.

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Review

Häxan (Haxan: The Witch) (1922)

Documentaries did not properly exist in 1922 as a cinematic form.

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Review

Nosferatu (1922)

F.W. Murnau’s Nosferatu is among the earliest horror films to be universally canonized, and it’s not hard to see why

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Review

Nanook of the North (1922)

Nanook of the North is often hailed as the first documentary — though both the “first” and “documentary” parts of that are up for debate.

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Review

Dr. Mabuse, the Gambler (1922)

Film serials peaked in the mid-to-late-1910s, but their epic-yet-episodic storytelling mode didn’t completely vanish.

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Review

The Smiling Madame Beudet (1923)

Many of the very early — like 1925 and before — films that have endured in the canon are epics.

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Review

The Phantom Carriage (1921)

I was recently watching some YouTube videos on Crash Course about film history with my three year old daughter.