Jabberwocky is Terry Gilliam’s first solo directing effort and second overall after Monty Python and the Holy Grail.
Category: Review
Categories
The Debut (1977)
At a basic level, The Debut presents a clear and effective metaphor:
Categories
The Godfather (1972)
I fear that I will never again be able to watch The Godfather with fresh eyes or a sense of wonder.
Categories
Snow Day (2000)
(Note 12/2022: I just want to say that the following review soft-pedals my affection for this movie. I will write something more effusive someday.)
Categories
Let the Summer Never Come Again (2017)
This is the hardest time I’ve had slapping a rating on a movie in a long time, for the simple reason that I love its ambition and capital-V Vision, but can’t stand what it’s doing with those things.
Valerie Taylor is an Australian marine conservationist, and her story is a pretty compelling one. First a competitive spearfisher, then a Hollywood consultant (including on Jaws!), then a public advocate for shark protection, she is the subject of TONS of archival footage of swimming and interacting with sharks, and now’s our chance to enjoy it all.
Categories
The Departed (2006)
The Departed is simultaneously ridiculous and exciting — a potent combination for a watchable movie, but not necessarily a great one.
Categories
Encanto (2021)
Chalk at least some of my affection to low expectations and hater spite.
Categories
Bye Bye Africa (1999)
Mahamat-Saleh Haroun’s debut film is a peculiar hybrid of drama and documentary. Haroun, playing a semi-fictionalized version of himself, returns from France to his homeland Chad upon hearing of his mother’s passing. While there, he bemoans a crumbling local cinema and ponders creating a film to capture the spirit of his home nation.
Categories
Jean-Pierre’s Mouth (1996)
Mercifully short and non-exploitative, Lucile Hadžihalilović‘s debut is claustrophobic and tense and well-crafted. The film’s sense of dread never boils over into outright terror, but it’s nonetheless a fairly haunting little piece.