Director: Georges Melies

No image from early cinema, save perhaps the train arriving at La Ciotat, endures so strongly as Georges Melies’ man in the moon, a spaceship crashed into his eye. It’s a moment from the French magician’s most famous film, A Trip to the Moon (Le voyage dans la lune) from 1902. But Melies’s output goes well beyond his signature film; he produced a large and innovative body of work, and a decent percentage of it is extant. Melies’s theatrical, surreal, fairy tale vision of cinema — crafted with gimmicky formal tricks to evoke the supernatural — went out of style late in the director’s life, but has gone on to immense critical reappreciation. Many fans of early cinema — myself included — consider Melies the “first wizard of cinema,” an all-time legend and the medium’s first auteur.

Melies began making films in the late 19th century after witnessing a Lumiere brothers presentation. The Lumieres wouldn’t license a camera, so Melies invented his own. He viewed motion pictures initially as an extension of his stage act, but it quickly became his main performance output. Between 1896 and the first few years of the 20th century, Melies gradually expanded the ambition and artistry of his films. His early actualities and trick films became bespoke miniature masterpieces running several minutes long. Even as silent cinema grows fainter in the canon and the minds of the moviegoing public, Melies endures as a warmhearted pioneer and visionary.

Chronological

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By Rating

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Very Good (6/8)

Good (5/8)

Nearly Good (4/8)

Last Updated

  • 10/13/2024

Review Index

TitleDateFilm YearDirectorIs It GoodTags
The Haunted Castle (Le Chateau hante) (1897)07/20/20241897Melies, Georges4
The House of the Devil (La Manoir du diable) (1896)07/18/20241896Melies, Georges5
Conjuring (1896)11/25/20221896Melies, Georges4
Playing Cards (1896)11/17/20221896Melies, Georges4
A Trip to the Moon (1902)11/20/20201902Melies, Georges6,

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