Charming leads and goofy-fun premise, but the rest of the story flounders, and the direction distracts from the charm. Way too much Ed Sheeran.
Just watch the Beatles clips on YouTube.
Charming leads and goofy-fun premise, but the rest of the story flounders, and the direction distracts from the charm. Way too much Ed Sheeran.
Just watch the Beatles clips on YouTube.
Tons of nostalgia. Wish I could skydive with these guys. Phenomenally shitty CGI.
So much better than The Return of Jafar in basically every way, yet completely overwhelmed by Genie’s pop culture-isms
This is the fourth DW Griffith film I’ve watched in my tour through film history, and the fourth starring Lillian Gish.
A gangster film like no other. Bizarre blend of tones. Filled with bitter ironies and great acting. Also a seminal moment in cinema history.
The alternate ending really elevates the material into a story about alienation and belief in God and facing a point of no return. The CGI monsters are ugly AF. Why is there a weird Shrek scene?
Cheapo animation, bad musical numbers, some charming voice work, weak, noisy script, somehow stars Iago…? At least it’s mercifully short.
Peak cinema. Near, far, wherever you are.
The animal character designs are good, as is the villain. The forced-breeding premise is pleasingly bizarre. But the story is the epitome of bland, the humor terrible, and the music quite bad. So forgettable.
A delightful one-hit-wonder pseudo-biopic filled with an amazing false pop universe and uncountable period touches. A true passion project for Tom Hanks, and a true favorite of mine. I promise I will write a full review of this someday.