The Last Exorcism: Part II is dreadfully boring.
The Last Exorcism: Part II (2013)
The Last Exorcism: Part II is dreadfully boring.
A competent enough Nordic riff on Godzilla, at least until it gets into kooky royal conspiracy material. The ending lost me a bit, and I’m not wild about the creature design, but the production is quite good at conveying the massive scope of the creature, which is the single most important part of a movie like this.
(Important, Disappointing Note: Not a Troll 2 prequel.)
In 2013, Damien Chazelle premiered at Sundance a short film called Whiplash designed to build up interest in creating a feature film version of the story, which already had a script.
Puss in Boots 2 is:
I understand there’s a sense of nostalgia around these dumb, effects-heavy, non-superhero blockbusters. But this is just a far worse Independence Day (you gotta love that downgrade from young Will Smith to Patrick Wilson) with a little bit of Contact sprinkled in there, blended into the stupidest possible slurry. And it’s not even that fun. There are a few cool images, and the score gave me goosebumps once or twice, but that’s it.
Here it is: The first list or ranking published on The Goods.
I know this is intended to be a subversive investigation of the boundaries and biases in creating art, but I find it just to be mean-spirited and impish. (That doesn’t mean I didn’t laugh a bunch of times.)
It feels scientifically engineered to be as boring as possible: People having astonishingly vacant conversations in beige rooms, the central murder mystery given the urgency of a tax return. There’s a long stretch of inexplicable 1982-level CGI. I tried to find some avant garde vibes to love, but it’s just too dull.
There’s not a single thing I like more here than in Knives Out, but I do like almost everything almost as much.
The pitch is sound: 1973’s The Exorcist, but found footage.