There is an irony that one of the best Hollywood movies of the past quarter century is centrally about how toxic and destructive moviemaking is.
Mulholland Dr. (2001)
There is an irony that one of the best Hollywood movies of the past quarter century is centrally about how toxic and destructive moviemaking is.
Many comedians and filmmakers got a boost during the Judd Apatow surge of the late 2000s.
The original Shrek is a movie that is easy to both underrate and overrate for reasons outside of the film itself.
For all the striking stylistic elements of Moonrise Kingdom, my favorite thing about it might be its simple, effective story.
Game Night is a few tweaks away from being a great movie.
I Love You, Man is not a Judd Apatow film, but you’d be forgiven for thinking it was.
Upon Lady Bird’s release in 2017, the teen cinema intelligentsia immediately declared it one of the all-time great teen comedies.
Say Anything is a film that grows with you.
In the mid-80s, Chevy Chase starred in two Fletch movies based off of Gregory McDonald’s comedic detective novels.
Given how much of Studio Ghibli’s reputation rides on low-plot, high-vibe pictures, and how much I adore some of those films, trust that I don’t utter the following sentence lightly