Tag: 2022

Little girls are creepy, uncanny dolls are creepy, both have been frequently and successfully been transformed into horror icons in the past… por que no los dos?

Typically when I spend most of the runtime wondering “Who was this movie made for?” I mean that as a negative.

It is noteworthy on multiple levels that Steven Spielberg has a writing credit on The Fabelmans.

There is some irony inherent in writing and reading a review of a film like The Menu.

Guiellermo Del Toro’s Pinocchio does a bunch of little- to medium-sized things wrong, but none of them end up mattering very much because it is such a fundamentally good movie.

To say the 61st feature created by Walt Disney Animation Studios came and went with little fanfare would be the understatement of 2022.

You may as well call it Nepo Baby: The Movie.

In one of the first scenes of Three Thousand Years of Longing, narratologist and protagonist Alithea Binnie (Tilda Swinton) describes the lost art of storytelling.

Mickey Saves Christmas is neat, but is that the bar we want to aim for?

Stop motion is, somewhat ironically due to its physical fussiness, one of the most expressive forms of film.