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Review

M3GAN (2022)

Little girls are creepy, uncanny dolls are creepy, both have been frequently and successfully been transformed into horror icons in the past… por que no los dos?

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Review

Snow Day (2022)

Typically when I spend most of the runtime wondering “Who was this movie made for?” I mean that as a negative.

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Review

The Fabelmans (2022)

It is noteworthy on multiple levels that Steven Spielberg has a writing credit on The Fabelmans.

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Review

The Menu (2022)

There is some irony inherent in writing and reading a review of a film like The Menu.

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Review

Guillermo del Toro’s Pinocchio (2022)

Guiellermo Del Toro’s Pinocchio does a bunch of little- to medium-sized things wrong, but none of them end up mattering very much because it is such a fundamentally good movie.

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Review

Strange World (2022)

To say the 61st feature created by Walt Disney Animation Studios came and went with little fanfare would be the understatement of 2022.

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Review

Sam & Kate (2022)

You may as well call it Nepo Baby: The Movie.

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Review

Three Thousand Years of Longing (2022)

In one of the first scenes of Three Thousand Years of Longing, narratologist and protagonist Alithea Binnie (Tilda Swinton) describes the lost art of storytelling.

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Review

Mickey Saves Christmas (2022)

Mickey Saves Christmas is neat, but is that the bar we want to aim for?

Categories
Review

The House (2022)

Stop motion is, somewhat ironically due to its physical fussiness, one of the most expressive forms of film.