The Goods: Film Reviews
The screenplay is unfortunately quite a bit prosaic. None of the characterization is strong enough for us to really buy into the romance or Hepburn’s self-discovery.
But the footage of Venice in over-saturated Technicolor? Holy moley. I fell in love with the city all over again. Lean captures it with an intoxicating, almost delirious, beauty. *nostalgic sigh*
Calling a film “perfect” is tossed around a bit freely by movie fans (myself included), but the first half of Psycho really is perfect.
Howl’s Moving Castle is a bit discombobulated, but charming and lovely.
Perhaps a bit too generous towards its characters and indulgent in its runtime, but goddamn what a movie. The acting, the extended flowing shots, the use of sound (firecrackers!), the sprawling ensemble… this is cinema at its most robust and vibrant, and I’m here for it.
“I’ve never seen such a thing in all my life”
Officially my third time watching this in 2021, but I actually watched it about 5 other times in April to prep for a podcast discussing it.
I think the only thing I’d consider changing about this is that Dave and Dawn (aged 20 and 13, respectively, yet seen kissing) appear so early. It sets up viewers to be judgmental and scandalized, as opposed to celebratory, of this group of joyful, excited, inebriated, deranged people.
(A fun fact about that segment is that the filmmakers and crowd egged them on for a kiss, which was edited out, presumably to increase shock value.)
Everything else though? *chef’s kiss*
I love Zebraman, and “Hell Yeah” girl, and the group from Reston, and the people there to honor their dead friend Timmy, and the parking attendant, and the guy drinking from a beaker who does air guitar, and everyone else.
To quote John Blyth Barrymore in LasagnaCat’s legendary 7/27/78 review…
“Do I find perfection in many things? Some things, I would say. Some things are perfect. and this is one of them.”
When I was in high school, the Flash game called Quest for the Crown was one of the funniest things I’d ever seen. (You can see a full playthrough here.)
The mythic settings, the outlaw showdown, John Wayne (dat intro zoom!), the cowboys-and-Indians shootout, the saloons, the individualism and post-Civil War politics: This is a quintessential classic western film, one of the greats.
Gobsmackingly gorgeous from start to finish, even more than I remembered. The setting and characters are all charming, and I love the celebration of working class values. (Tiana’s parents are the best in all of Disney animation, in my opinion.) The characters are almost all well-designed, but especially the lanky villain, his shadows, and all the murky-but-also-neon voo-doo stuff… it’s eye-popping.
I also find that the movie keeps me at a little bit of a distance, at least compared to e.g. Tangled, which I also watched this weekend. I think it might just be too busy — scenes whizz by, and every musical number tries to be a show-stopper (except the tender “Ma Belle Evangeline,” maybe my favorite song here). All that much-ness comes at the expense of some needed character development, especially for Naveen, who I found still pretty unsympathetic by the end of the movie. (Why would Tiana go for him? Frog propinquity?)
I think the movie suffers from having Tiana be a frog for 2/3rds of the story. I missed the lovely, vibrant animation of human Tiana where her frog form feels more generic and difficult to connect to. On the other hand, I decided this viewing that Amphibian Naveen is more interesting than his blandly handsome human form.
But the film is still warm and charming and lovely, and when it’s this goddamned beautiful it’s hard to be too bothered with the rest. Bring back hand-drawn Disney animation!
I would watch the crap out of a full length version of this. Somebody start a Change.org petition or a Kickstarter or something.
I always love revisiting this one.