At Midnight I’ll Take Your Soul opens with a strange-looking man in a top-hat delivering a sermon to the camera
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At Midnight I’ll Take Your Soul (1964)
Category: Review
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Disturbing Behavior (1998)
Every October, in the guts of spooky season, I try to catch at least one post-Scream, back-to-school teen horror film from the late ‘90s or early ‘00s.
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Suspicion (1941)
Suspicion is Hitchcock playing peekaboo.
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Him (2025)
I’ll never fully understand why some stylish, vibes-only movies capture the movie-geek zeitgeist while others get dumped at the curb.
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The Woman in Cabin 10 (2025)
I haven’t read any of Ruth Ware’s books, but my wife has, and she says they are all begging for adaptation.
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Snoopy Presents: For Auld Lang Syne (2021)
Peanuts is one of the most cherished brands in American family entertainment
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To Catch a Thief (1955)
Hitchcock has three filmmaking gears: coasting, locked-in, and getting weird.
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Jason X (2001)
Whenever a franchise hits its tenth entry, you run out of sane entry points for thinking about the film as a total package.
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The Bad Guys 2 (2025)
You may remember The Bad Guys as DreamWorks Animation’s cross-species stab at introducing kids to heist movie tropes.
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Psycho (1960)
In his famous essay “An Introduction to the American Horror Film,” critic Robin Wood defined the genre