I had high hopes for Y2K, sketch comedian Kyle Mooney’s foray into horror-comedy, but the result is a frustrating mishmash that has no idea how to have a good time.
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Y2K (2024)
Category: Review
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All We Imagine as Light (2024)
There’s a scene in All We Imagine as Light that is one of my favorites of the year.
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The Maltese Falcon (1941)
The Maltese Falcon is certainly not the quintessential film noir from a cinematographic perspective, but from a narrative and thematic point, it’s about as complete an entry point as you’re going to find.
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Nosferatu (2024)
I recently rewatched The Lighthouse, and I found it to be much hornier than I remembered.
This movie is unreviewable.
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A Real Pain (2024)
In some of his press interviews for A Real Pain, Jesse Eisenberg reveals that some constructive feedback he received on his first film, When You Finish Saving the World, was that his characters were too closed off to the audience.
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The Piano Lesson (2024)
Even if you didn’t know it in advance, you can guess that The Piano Lesson is a play adapted for the screen.
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Juror #2 (2024)
The idea behind Clint Eastwood’s latest film is fantastic.
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Heretic (2024)
I am very, very mixed on Heretic.
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I Saw the TV Glow (2024)
If you’ve been hanging around film and TV forums the past fifteen years, you’ve probably heard the story of Cry Baby Lane.