Nate Bargatze is a tremendously popular comedian whose standup already feels like watching a sitcom
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The Breadwinner (2026)
Category: Review
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The Sheep Detectives (2026)
Any parent can tell you that there is an utter abundance of bad movies and TV shows made for kids.
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Backrooms (2026)
“Beware the buzzy horror release” has become such a mantra around here that I assume you’re sick of reading it.
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Finding Emily (2026)
Finding Emily has a thesis about love, both literally and narratively:
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Voicemails for Isabelle (2026)
The romantic comedy has certainly seen better days as a genre.
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The Phantom of the Opera (1925)
Phantom of the Opera might be the most adapted horror story this side of Dracula.
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Obsession (2025)
Beware the buzzy horror breakthrough.
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I Like Movies (2022)
“I like movies” might be the most harmless sentence in the English language.
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The Kid Detective (2020)
One mental exercise I sometimes play with certain actors and directors:
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Disclosure Day (2026)
I spent most of 2013 listening to Bruce Springsteen albums, and one thing I noticed is that his earliest records are confessional and immediate even when he’s inventing stories.