I had long been curious about John Tucker Must Die.
John Tucker Must Die (2006)
I had long been curious about John Tucker Must Die.
After Walt Disney’s death in 1966, the studio rifled through its development pile for projects that could keep the machine running
What are we all even doing here?
Growing up, I understood “hard sci-fi” as a genre with a double meaning
The Color Purple has been through so many layers of adaptation at this point that it’s practically a game of telephone.
For whatever reason, the 1980s remain an endless well of bizarre and inventive thrillers, the kind that surprise you when you find them playing on cable at 1 AM or on a muted bar TV.
Cabin in the Sky deserves to be remembered as more than a curiosity of representation, though that context inevitably shapes how you approach it.
There is a paradox at the heart of Andrew Lloyd Webber’s empire that Joel Schumacher’s 2004 Phantom of the Opera makes impossible to ignore
There’s a case to be made that the true line of demarcation between the before-times and the after-times is not March 2020, when the world shut down as COVID spread and quarantine began, but a few months earlier, when Cats arrived in theaters.
You’re not going to get an unbiased review from me on this one.