People who spend major portions of their lives online exist in an ever-churning cycle of content and reactions and distortions.
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We’re All Going to the World’s Fair (2021)
Category: Review
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In a Violent Nature (2024)
It’s a cheeky and intriguing pitch, I’ll give Chris Nash that much
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A Self-Induced Hallucination (2018)
Jane Schoenbrun has become one of the hottest names in lo-fi horror and queer cinema, but before their breakthrough, they were on the indie grind for more than a decade.
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Lorenzo’s Oil (1992)
The terms “sad Oscar-bait drama” and “George Miller banger” seem incompatible on the surface; a contradiction in terms.
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Dark Places (2015)
Gillian Flynn’s impact on mainstream fiction and movie thrillers is monumental.
Of all the characters in Gangs of London who could act as the “heart” of the story – the player with the most sympathetic motives and framed in the most sympathetic light – it’s peculiar that Season 2 seems to have settled on Luan. More than Sean, more than Elliot, more than Marian, more even than Saba, at this point he’s the character I’m rooting for hardest to succeed.
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The Witches of Eastwick (1987)
When you hear the premise of The Witches of Eastwick, you think it will be a satire.
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Abigail (2024)
With Abigail, I face a frustrating truth
So: Sean Wallace is – big, theatrical sigh – still alive.
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Hit Man (2023)
Hit Man is a deliriously fun movie, but one of its flaws is highlighted in the opening scene.