2025 has been the year of tonal whiplash, and I’m not even talking about the news cycle.
Oh, Hi! (2025)
2025 has been the year of tonal whiplash, and I’m not even talking about the news cycle.
Here’s my rule of thumb: don’t trust a critically acclaimed horror debut.
I will indulge the metaphor that repeatedly clanked around my head as I watched F1
Happy Feet Two suffers from a similar ailment to The Witches of Eastwick
It’s not impossible to imagine a world where Deanna Durbin and Judy Garland swapped careers.
It takes a special breed of actor for the name alone to be a brand and a promise to the viewer, but Douglas Fairbanks achieved that during his career.
Sorry, Baby is an absolute miracle of tone control.
It’s always amusing when a song from a movie’s soundtrack ends up outliving the film itself.
I am skeptical of platitudes hastily awarded to any film premiering on Netflix, but animated films especially.
On film social media, much virtual ink has been spilled anointing Eddington a future cult classic: