There is something poignant about the central image of The Great Buck Howard: a washed up celebrity who finds the hidden money every night, as if by magic.
Category: Review
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Captain Phillips (2013)
Captain Phillips’ biggest strength — beyond even its technical competence and almost unceasing tension — is the tightrope it walks with the Somali pirates.
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Extremely Loud & Incredibly Close (2011)
If a man smashes your kneecaps with a crowbar, can you really say he made you “feel something”?
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Angels & Demons (2009)
The sequel to The Da Vinci Code is, confusingly, based off of the first book in the series, with a byproduct not common of genres sequels:
Perhaps take my opinion with a grain of salt, as I have seen less than half of the Coens’ filmography and never seen the acclaimed 1955 original, but I found more to like than dislike in The Ladykillers.
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The Polar Express (2004)
It’s one thing to be ugly. Plenty of decent movies aren’t all that great to look at.
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The Terminal (2004)
After reading several contemporary reviews of The Terminal I’m surprised that critics at the time did not note the single most distinct trait of the film:
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Sleepless in Seattle (1993)
Sleepless in Seattle somehow still works despite a fundamental flaw in its script: The characters spend almost no time together!
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Philadelphia (1993)
Philadelphia is pretty much the best-case scenario for an Oscar-bait film: A movie, beneath its preachiness, that is beautiful, lovingly-made, and deeply-felt.
A League of Their Own is pretty close to the best possible version of itself: It is well-cast and well-directed. The lines are impeccably delivered. The tone is a just-right blend of cynical, smart, and sweet. It’s a big meal of comfort food even if it never quite ascends into greatness.