Calling The Adevntures of Sharkboy and Lavagirl “ugly” is a grave understatement.
Category: Review
There were certainly worse ideas in 2011 than rebooting the Spy Kids franchise. It’s a film concept that’s easy to refresh: recruit a new batch of charming kid actors, update the gadgets for the new era, weave in some family values, and spin up a kooky spy-fi premise.
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Machete Kills (2013)
I did not watch Machete and think “that movie left a lot on the table.”
Spy Kids 1 delivered on multiple competing genre fronts: a family-bonding adventure, a kiddie spy-action thriller, a light satire, and a digital editing/CGI showcase. Overall, a precarious, well-executed balancing act.
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Spy Kids 3-D: Game Over (2003)
Nathan Rabin’s legendary My Year of Flops feature on AV Club groups bad movies into three categories:
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Zootopia (2016)
A movie I like slightly less each time I see it, and now I’m up to four times, I think.
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Machete (2010)
Machete isn’t strictly a Spy Kids spinoff.
Alexandre Koberidze’s Georgian slice-of-life, pseudo-silent, slow film aesthetic meets magical realism and romantic comedy in What Do We See When We Look at the Sky?, and the result is magnificent.
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Spy Kids (2001)
Spy Kids is, if not quite a gold standard for family-focused action-comedies, certainly an excellent specimen.
Nouchka van Brakel’s films center around women asserting their identity via a sexuality outside of the mainstream. In The Cool Lakes of Death, protagonist Hetty’s “taboo” is simply being a woman of assertive sexuality in prudish 19th century bourgeoisie.