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Review Legacy Revision Candidate

Once Upon a Snowman (2020)

Filling the tiniest of cracks of Frozen lore: What happened in the time between “Let It Go” and Anna/Kristoff bumping into Olaf in Frozen? What caused him to latch onto the notion of summer and warm hugs? Did he try to get a nose before Anna/Kristoff gave him a carrot?

It’s utterly inconsequential storytelling, 100% fan service, with ugly seams where the new story crosses paths with the original Frozen footage. Olaf is the most annoying part of the Frozen franchise, best used sparingly, so a whole origin story was totally unneeded (since we more or less knew what it was anyways) and unpleasant.

To be honest, I’m bumping this up a mark from what I would have because this short gets a lot of fun out of Olaf’s malleable, Mr. Potato Head-esque character design with more vibrant character animation than he gets in either of the feature films. And I liked the nose gag.

Is It Good?

Not Good (2/8)

Note: This review was published early in The Goods' history and is a candidate for an expanded review in the future. Please excuse brevity or inconsistencies in style.


Dan is the founder and head critic of The Goods. Follow Dan on Letterboxd. Join the Discord for updates and discussion.

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