Metal Lords (2022)

Maybe I’m too streaming TV-brained, but something about Metal Lords’ structure just feels wrong.

Marmaduke (2022)

When I started watching Marmaduke, I thought it was one of those Ratatoing-type cheap knockoffs.

Decision to Leave (2022)

A skilled but unlucky detective, Hae-joon (Park Hae-il), becomes obsessed with the case of man who fell to his death.

Love & Gelato (2022)

If teen love triangles, bland protagonists, and half-assed Italian travelogue footage sound like a good time to you, then you probably still won’t like Love & Gelato, because it is not a good movie.

Do Revenge (2022)

There’s no doubt that the people who made Do Revenge truly love teen movies.

Bodies Bodies Bodies (2022)

Bodies Bodies Bodies is pitched as a Gen Z slasher, so I expected an unmitigated stream of cringey, TikTok-flavored dialogue.

What is a Woman? (2022)

Most large publications have avoided reviewing What is a Woman?, and with good reason: It is very clearly a piece of hate-fomenting and fearmongering propaganda against transgender people. I’m not sure why I watched it (rest assured I found a way to view it without putting a penny in its creators’ pockets), but since I […]

Bros (2022)

People don’t like feeling like they’re being preached to.