I had drafted a thousand-word spiel about why The Apprentice is the exact opposite of the film I am excited to watch, but I don’t think you really need me to explain it.
The Apprentice (2024)

I had drafted a thousand-word spiel about why The Apprentice is the exact opposite of the film I am excited to watch, but I don’t think you really need me to explain it.
Watching The Seed of the Sacred Fig is a bit like the conversation that Homer Simpson has with the dealer of the cursed Krusty the Clown doll.
I had high hopes for Y2K, sketch comedian Kyle Mooney’s foray into horror-comedy, but the result is a frustrating mishmash that has no idea how to have a good time.
There’s a scene in All We Imagine as Light that is one of my favorites of the year.
I recently rewatched The Lighthouse, and I found it to be much hornier than I remembered.
In some of his press interviews for A Real Pain, Jesse Eisenberg reveals that some constructive feedback he received on his first film, When You Finish Saving the World, was that his characters were too closed off to the audience.
Even if you didn’t know it in advance, you can guess that The Piano Lesson is a play adapted for the screen.
The idea behind Clint Eastwood’s latest film is fantastic.
I am very, very mixed on Heretic.
If you’ve been hanging around film and TV forums the past fifteen years, you’ve probably heard the story of Cry Baby Lane.