Hitchcock has three filmmaking gears: coasting, locked-in, and getting weird.
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To Catch a Thief (1955)

Hitchcock has three filmmaking gears: coasting, locked-in, and getting weird.
In his famous essay “An Introduction to the American Horror Film,” critic Robin Wood defined the genre
Rope is a bit of an odd duck in the Alfred Hitchcock canon, both transitional and anomalous.