I haven’t read any of Ruth Ware’s books, but my wife has, and she says they are all begging for adaptation.
The Woman in Cabin 10 (2025)
I haven’t read any of Ruth Ware’s books, but my wife has, and she says they are all begging for adaptation.
You may remember The Bad Guys as DreamWorks Animation’s cross-species stab at introducing kids to heist movie tropes.
Out of all the films I’ve reviewed for The Goods, I’m not sure there’s a single one where my watching was more compromised than Barbarian.
I will indulge the metaphor that repeatedly clanked around my head as I watched F1
Sorry, Baby is an absolute miracle of tone control.
I am skeptical of platitudes hastily awarded to any animated feature premiering on Netflix in recent years.
On film social media, much virtual ink has been spilled anointing Eddington a future cult classic:
Celine Song was presumably given a pretty wide creative runway, plus access to budget and talent, to make her second film following the buzzy Best Picture nominee Past Lives.
The 2025 How to Train Your Dragon film is a so-called “live action remake” of a beloved animated film (a.k.a. “LARM” if you’re a goober), but it is not like Snow White or Pinocchio for a couple of reasons.
Read even a few articles about the movie business and you’ll inevitably encounter lamentations of the disappearing middle class of cinema.