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Review

Companion (2025)

Companion offers a curious stew of themes and genres that is sure to annoy large percentages of audiences.

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Review

Better Man (2024)

Of all the 2024 movies, it’s the one that most sounds like a 30 Rock gag.

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Review

The Apprentice (2024)

I had drafted a thousand-word spiel about why The Apprentice is the exact opposite of the film I am excited to watch, but I don’t think you really need me to explain it.

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Review

The Seed of the Sacred Fig (2024)

Watching The Seed of the Sacred Fig is a bit like the conversation that Homer Simpson has with the dealer of the cursed Krusty the Clown doll.

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Review

All We Imagine as Light (2024)

There’s a scene in All We Imagine as Light that is one of my favorites of the year.

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Review

Nosferatu (2024)

I recently rewatched The Lighthouse, and I found it to be much hornier than I remembered.

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Review

A Real Pain (2024)

In some of his press interviews for A Real Pain, Jesse Eisenberg reveals that some constructive feedback he received on his first film, When You Finish Saving the World, was that his characters were too closed off to the audience.

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Review

The Piano Lesson (2024)

Even if you didn’t know it in advance, you can guess that The Piano Lesson is a play adapted for the screen.

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Review

Juror #2 (2024)

The idea behind Clint Eastwood’s latest film is fantastic.

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Review

Heretic (2024)

I am very, very mixed on Heretic.