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Review

The Perfect Neighbor (2025)

It’s not often you can honestly describe a film as both “exploitative” and “restrained,” but The Perfect Neighbor lives in an unsettling overlap — and gets a lot of its magnetic power from the fact that it pushes past tasteful boundaries in some areas pulls back in others.

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Review

Sentimental Value (2025)

Every time a Scandinavian director gets praised for making a film “reminiscent of Ingmar Bergman,” I brace myself for two hours of immaculate misery and a big, chilly lesson about how people are flawed and feelings are difficult.

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Review

Eternity (2025)

I am clenching my jaw trying to resist making the obvious joke about the runtime.

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Review

After the Hunt (2025)

I’m always interested when great directors decide to alienate their audience, and I have to believe that’s the game Luca Guadagnino is playing here.

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Review

Twinless (2025)

Although it might be my favorite movie of the year, I almost don’t want to review Twinless. I want every viewer to go in with as little knowledge as possible.

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Review

Good Boy (2025)

Good Boy is a slight but fun idea for a film, the kind of shower brainstorm that rarely makes it to the page, let alone the screen.

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Review

Lurker (2025)

In the attention economy, celebrity is both the means and the ends.

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Review

Hedda (2025)

Hedda is a movie I can easily imagine a small subset of viewers declaring the best of the year, and I am very sure I am not one of those people.

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Review

Frankenstein (2025)

Guillermo del Toro has finally dragged his dream project Frankenstein across the finish line, a decades-in-the-making adaptation that arrives with the weight of cinema prestige and awards expectations on its sewn-together shoulders.

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Review

Him (2025)

I’ll never fully understand why some stylish, vibes-only movies capture the movie-geek zeitgeist while others get dumped at the curb.