Paul Thomas Anderson showed up in the mid-’90s as a wunderkind and a walking contradiction
Hard Eight (1996)
Paul Thomas Anderson showed up in the mid-’90s as a wunderkind and a walking contradiction
I’m always interested when great directors decide to alienate their audience, and I have to believe that’s the game Luca Guadagnino is playing here.
I almost don’t want to review Twinless because I want you to go in with as little context as possible.
Good Boy is a slight but fun idea for a film, the kind of shower brainstorm that rarely makes it to the page, let alone the screen.
In the attention economy, celebrity is both the means and the ends.
Hedda is a movie I can easily imagine a small subset of viewers declaring the best of the year, and I am very sure I am not one of those people.
You’d be hard-pressed to find a more poetic movie than The Red Balloon, Albert Lamorisse’s 34-minute daydream.
Guillermo del Toro has finally dragged his dream project Frankenstein across the finish line, a decades-in-the-making adaptation that arrives with the weight of cinema prestige and awards expectations on its sewn-together shoulders.
Rejoice: an exciting new cinematic voice.
I was a senior in college and a devotee of NBC’s Thursday night programming in September 2009 when Community premiered.