They call it the white whale, the Holy Grail of lost films.
Greed (1924)

They call it the white whale, the Holy Grail of lost films.
Imagine my surprise when I watched this Korean monster film from 2006 and discovered that it is, in fact, a film about COVID.
I am exactly the demographic and disposition that Derrick Comedy, the late 2000s Internet sketch comedy group, was built for.
It is a hallowed tradition for the second movie in a slasher series to extend or repeat the original with more polish, more creative mutilation, more murders, more nudity, and more all-around fun.
What is the line between body mutilation that entertains or provokes me vs. disgusts me?
A couple of months ago, I visited Disney World in Orlando.
There’s a fine line between “soul-crushing slop” and “modestly enjoyable slop.”
There’s a scene at the center of A Complete Unknown good enough to justify the film’s entire existence.
“They don’t make ‘em like they used to.”
The kids who grew up watching Disney Channel sitcoms are now old enough to be directing R-rated comedies.