The Goods: Film Reviews
The Maltese Falcon is certainly not the quintessential film noir from a cinematographic perspective, but from a narrative and thematic point, it’s about as complete an entry point as you’re going to find.
It’s already February.
It never feels momentous when the year number rolls over from 4 to 5, but it is indeed the end of a half decade.
I recently rewatched The Lighthouse, and I found it to be much hornier than I remembered.
Last week, I submitted my nominating votes for the 28th OFCS Awards.
This movie is unreviewable.
At the start of 2024, I set some goals for myself. How’d I do?
One of my long term goals for The Goods is to make it easy for readers to navigate my archive of 500+ (and counting) reviews.
Here is my OFCS nominations ballot for 2024.
In some of his press interviews for A Real Pain, Jesse Eisenberg reveals that some constructive feedback he received on his first film, When You Finish Saving the World, was that his characters were too closed off to the audience.