It’s strange: With Prisoners, Denis Villeneuve has a bigger budget, a more talented cast and crew, a script that he did not write himself, a new language to film in, an entirely new genre
Prisoners (2013)
It’s strange: With Prisoners, Denis Villeneuve has a bigger budget, a more talented cast and crew, a script that he did not write himself, a new language to film in, an entirely new genre
Denis Villeneuve spends Incendies creating a tension between docudrama and melodrama
Toast is a fluffy and bittersweet English dramedy set in the 1960s, following the story of a talented teenage chef as he navigates the loss of his mother and his passion for cooking.
Remember last year when half of y’all decided that Moonfall was a lovably dopey and charming throwback blockbuster?
A few nights ago, I drafted (then deleted) a review of Polytechnique that concluded my thoughts with: “Oh yeah, and I am the survivor of a school shooting with a lot of similarities to this one, and I’m not really sure if that changed how I felt about it.”
Denis Villeneuve’s second film, Maelstrom, is a bizarre odyssey that dives fearlessly into some of the darkest corners of the human experience, but with a smirk.
Given that the only reason pretty much anyone would seek out this film in 2024 is because it is the debut film by a successful blockbuster director, I will put this up front
The Book of Clarence is a thought-provoking and ambitious sophomore film by director Jeymes Samuel following the slick but straightforward western The Harder They Fall.
Hey film friends, I’m excited to share that my six-year-old daughter Eleanor and I wrote a kids fantasy chapter book together.
The Zone of Interest, the latest by Jonathan Glazer, is one of the grand cinematic achievements of 2023 — and, like his last film, nearly as frustrating to watch as it is great.