Coming from the “Panic Movement” surrealist art collective is one of the most bizarre animated films of all time
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Fantastic Planet (1973)
Category: Review
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The Lighthouse (2019)
A lighthouse is among the most visually evocative human creations.
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The Witch (2015)
The Witch is a terrific debut by Robert Eggers that serves as a crossover between two genres I’m surprised don’t intersect more often: horror and historical drama.
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Bodies Bodies Bodies (2022)
Bodies Bodies Bodies is pitched as a Gen Z slasher, so I expected an unmitigated stream of cringey, TikTok-flavored dialogue.
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Do Revenge (2022)
There’s no doubt that the people who made Do Revenge truly love teen movies.
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Love & Gelato (2022)
If teen love triangles, bland protagonists, and half-assed Italian travelogue footage sound like a good time to you, then you probably still won’t like Love & Gelato, because it is not a good movie.
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Spider-Man: Into the Spider-Verse (2018)
Into the Spider-Verse is the best-animated CGI movie ever made as of mid-2022, which is not the same thing as the best CGI-animated movie ever made.
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Decision to Leave (2022)
A skilled but unlucky detective, Hae-joon (Park Hae-il), becomes obsessed with the case of man who fell to his death.
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They Live (1988)
I can’t help but feel They Live, while solid and intermittently great, is a bit overrated thanks to the blunt effectiveness of its aggressive political satire.
In the late ‘70s, Isao Takahata was tapped to lead the TV adaptation of the 1908 Canadian novel Anne of Green Gables by Lucy Maud Montgomery.