I have to imagine that the end of The Raid 2’s release cycle was an existentially scary moment for Gareth Evans.
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Pre Vis Action (2016)

I have to imagine that the end of The Raid 2’s release cycle was an existentially scary moment for Gareth Evans.
I find voyeuristic pleasure peeking back at student films and low-budget debuts of well-regarded directors
You know what’s scary? Trauma!
Infnity Pool’s screenplay is a howler.
The eternal struggle of the romcom
One of my favorite kinds of films is “two-hander starring attractive people who want to hook up but can’t due to their personal circumstances.”
It seems fair to judge Promising Young Woman as a “message film” when that’s how it’s so clearly positioned itself:
My journey with Hamlet continues with the biggest adaptation of them all
(FULL SPOILERS FOLLOW)
(FULL SPOILERS FOLLOW)