Series: Tom Hanks

In mid-May 2022, I tested positive for COVID-19.

There is something poignant about the central image of The Great Buck Howard: a washed up celebrity who finds the hidden money every night, as if by magic.

Sometimes I wonder about my life.

I want to start this review by clearing the air about The ‘Burbs’s ending.

Greyhound opens with a lovely little flashback scene.

There is not a single original beat in Finch.

The King of Rock and Roll deserves better than a film biopic.

Space is cool.

Here’s something out of left field: a small, earnest, internationally co-produced romantic drama starring baby-faced Tom Hanks—his very first dramatic role, if you don’t count TV movies. Every Time We Say Goodbye is a low-budget 1986 oddity, shot largely in Jerusalem, and maybe best known today (if at all) for being Hanks’ lowest-grossing theatrical release. […]

The Da Vinci Code and Angels and Demons aren’t exactly peak popcorn cinema, but they each offer a diverting brand of cheeseball religious conspiracy faux-Sherlock stories.