One reason the release of every Wes Anderson film is an exciting occurrence is because you can reliably count on him to push his aesthetics or storytelling in some bold new direction.
The Phoenician Scheme (2025)

One reason the release of every Wes Anderson film is an exciting occurrence is because you can reliably count on him to push his aesthetics or storytelling in some bold new direction.
Final Destination 3 has a few things going for it.
You know, I’m an amateur.
Tim Robinson is having a moment.
When Brian Wilson died last week, a couple of film fans I know turned to Love & Mercy, the biopic about the legendary musician.
They call it the white whale, the Holy Grail of lost films.
Of course it was the Investors. It had to be.
Imagine my surprise when I watched this Korean monster film from 2006 and discovered that it is, in fact, a film about COVID.
I am exactly the demographic and disposition that Derrick Comedy, the late 2000s Internet sketch comedy group, was built for.
A thought that I’ve had more than once while watching and rewatching Gangs of London’s third season is that this series would have been better served if it had been conceived as an anthology show from day one.