I was recently watching some YouTube videos on Crash Course about film history with my three year old daughter.
The Phantom Carriage (1921)

I was recently watching some YouTube videos on Crash Course about film history with my three year old daughter.
The French Revolution turns out to be a very good match for DW Griffith.
This is the fourth DW Griffith film I’ve watched in my tour through film history, and the fourth starring Lillian Gish.
For the first hour or so of its 75 minutes, Oscar Micheaux’s Within Our Gates is far more compelling as a historical artifact than as cinema.
DW Griffith, the premier American epic filmmaker of the 1910s, had his biggest financial stumble in the hugely ambitious, 3.5-hour Intolerance.
In the the late 1910s-1920s, a bunch of German filmmakers invented the tone and aesthetics of horror movies amidst postwar defeat drudgery in a movement called “German expressionism.”
The problem with choosing “intolerance” as a theme for your time-sprawling opus is that it is so shapeless and blunt as to lose all meaning.
The film serial was an early cinema format that is, honestly, more familiar today than ever, though through a different mechanism:
I don’t even know where to begin. Imagine me staring speechless at a blank text box for several minutes as the prelude to this review.
As usual, the Americans got there after the Europeans, but did it with more scope and spectacle.