Categories
Review

Nanook of the North (1922)

Nanook of the North is often hailed as the first documentary — though both the “first” and “documentary” parts of that are up for debate.

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Review

Dr. Mabuse, the Gambler (1922)

Film serials peaked in the mid-to-late-1910s, but their epic-yet-episodic storytelling mode didn’t completely vanish.

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Review

The Smiling Madame Beudet (1923)

Many of the very early — like 1925 and before — films that have endured in the canon are epics.

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Review

The Phantom Carriage (1921)

I was recently watching some YouTube videos on Crash Course about film history with my three year old daughter.

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Review

Orphans of the Storm (1921)

The French Revolution turns out to be a very good match for DW Griffith.

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Review

Way Down East (1920)

This is the fourth DW Griffith film I’ve watched in my tour through film history, and the fourth starring Lillian Gish.

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Review

Within Our Gates (1920)

For the first hour or so of its 75 minutes, Oscar Micheaux’s Within Our Gates is far more compelling as a historical artifact than as cinema.

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Review

Broken Blossoms (1919)

DW Griffith, the premier American epic filmmaker of the 1910s, had his biggest financial stumble in the hugely ambitious, 3.5-hour Intolerance.

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Review

The Cabinet of Dr. Caligari (1920)

In the the late 1910s and 1920s, a bunch of German filmmakers invented the tone and aesthetics of horror movies amidst postwar defeat drudgery in a movement called “German expressionism.”

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Review

Intolerance: Love’s Struggle Throughout the Ages (1916)

The problem with choosing “intolerance” as a theme for your time-sprawling opus is that it is so shapeless and blunt as to lose all meaning.