There’s a fine line between a film with a fluid tone whose unpredictability is charming, and a film whose tonal messiness is movie-ruining.
Death of a Unicorn (2025)

There’s a fine line between a film with a fluid tone whose unpredictability is charming, and a film whose tonal messiness is movie-ruining.
Steven Soderbergh had himself a proper double feature this spring
The devil comes in many forms, but sometimes he just carries a guitar.
Borderline is a rarity among 2020s comedy-thrillers
Like most movie lovers, I typically seek out films I think I will like, or at least find fascinating.
One of Them Days is a treat — an honest-to-God comedy with setups, punchlines, and performances calibrated to land them.
Your ninth scoop of ice cream will never taste as good as the first, and, as such, these high-concept slashers have lost a bit of their novelty.
The Monkey is a big, dumb mess of a movie. (Complimentary.)
As I watched the opening act of The Electric State, I felt something.
The various social media circles and movie meme accounts I follow have settled on a term for this kind of film