One reason the release of every Wes Anderson film is an exciting occurrence is because you can reliably count on him to push his aesthetics or storytelling in some bold new direction.
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The Phoenician Scheme (2025)

One reason the release of every Wes Anderson film is an exciting occurrence is because you can reliably count on him to push his aesthetics or storytelling in some bold new direction.
Rushmore is Wes Anderson’s second film, but it really feels like his proper debut.
Bottle Rocket doesn’t display a fully-formed version of Wes Anderson’s signature style.
There’s something intimate, and at times almost obscene, about watching a great filmmaker’s student film – not even their proper debut.
For all the striking stylistic elements of Moonrise Kingdom, my favorite thing about it might be its simple, effective story.
The stock complaint against Wes Anderson is that his movies are more about finicky dollhouse visuals than story.