One reason the release of every Wes Anderson film is an exciting occurrence is because you can reliably count on him to push his aesthetics or storytelling in some bold new direction.
The Phoenician Scheme (2025)

One reason the release of every Wes Anderson film is an exciting occurrence is because you can reliably count on him to push his aesthetics or storytelling in some bold new direction.
Final Destination 3 has a few things going for it.
You know, I’m an amateur.
Tim Robinson is having a moment.
Yesterday, IndieWire released a list ranking the 100 best films of the decade so far.
When Brian Wilson died last week, a couple of film fans I know turned to Love & Mercy, the biopic about the legendary musician.
They call it the white whale, the Holy Grail of lost films.
Imagine my surprise when I watched this Korean monster film from 2006 and discovered that it is, in fact, a film about COVID.
I am exactly the demographic and disposition that Derrick Comedy, the late 2000s Internet sketch comedy group, was built for.
It is a hallowed tradition for the second movie in a slasher series to extend or repeat the original with more polish, more creative mutilation, more murders, more nudity, and more all-around fun.