I’ll start by admitting that I have never been a particularly big fan of Alice’s Adventures in Wonderland.
Alice (Něco z Alenky) (1988)

I’ll start by admitting that I have never been a particularly big fan of Alice’s Adventures in Wonderland.
It may very well be the nostalgia speaking.
This Disney Channel Original Movie takes a very intriguing premise — boy begins transforming to merman on his thirteenth birthday and tries to hide it from the world; very clearly a metaphor for coming out as gay in 1999 — and makes it so damn boring.
There are maybe fifty different places you could start when talking about Raiders of the Lost Ark.
Terminator 2 bungles two narrative devices in its opening half hour, and it leaves me ever-so-slightly sour on the film for the rest of its runtime.
Finding Nemo is one of my favorite movies and does a lot of things right, but there is one specific thing that I think it does better than any other movie in cinema history:
There’s an alternate universe where a version of Cars 3 not too different from its current form is an “Exceptionally Good” movie, an elegaic conclusion to a trilogy that used racing and talking cars to explore the ways we define our personal parameters of success in an increasingly fast-paced and polarized world.
It’s hard to think of a movie with more wasted potential: Disney at its peak Renaissance powers, following a string of more-or-less masterpieces, releasing a catastrophic misfire.
There’s one thing I unabashedly enjoy about Pixar’s worst film to date: The almost pornographic way it raises uncomfortable questions about the cosmology of the Cars world.
I am smitten with Luca even though it’s a bit rough around the edges and takes some time to get going.