Paul Thomas Anderson showed up in the mid-’90s as a wunderkind and a walking contradiction
Hard Eight (1996)
Paul Thomas Anderson showed up in the mid-’90s as a wunderkind and a walking contradiction
Dan and Brian approach the end of 2025 pondering what makes a “movie year” — how to measure and rank it, what they’ve watched on the podcast, and what eras of film history they’ve under- and overrepresented.
Dan and Brian welcome Brennan Klein from Alternate Ending to celebrate some of their shared cinematic interests and then dissect a strange COVID-era holiday romcom, Dear Christmas.
Dan and Brian discuss four adaptations of Charles Dickens’ famed holiday novella for a sixth consecutive holiday season.
I’m always interested when great directors decide to alienate their audience, and I have to believe that’s the game Luca Guadagnino is playing here.
Dan and Brian are joined by their friend and co-host of The Movie Call Podcast, Mitch, to discuss Paul Thomas Anderson’s rich and beguiling filmography, including a close look at PTA’s debut Hard Eight.
Although it might be my favorite movie of the year, I almost don’t want to review Twinless. I want every viewer to go in with as little knowledge as possible.
Good Boy is a slight but fun idea for a film, the kind of shower brainstorm that rarely makes it to the page, let alone the screen.
In the attention economy, celebrity is both the means and the ends.
Happy Thanksgiving, one and all!