I’m always interested when great directors decide to alienate their audience, and I have to believe that’s the game Luca Guadagnino is playing here.
After the Hunt (2025)
I’m always interested when great directors decide to alienate their audience, and I have to believe that’s the game Luca Guadagnino is playing here.
Dan and Brian are joined by their friend and co-host of The Movie Call Podcast, Mitch, to discuss Paul Thomas Anderson’s rich and beguiling filmography, including a close look at PTA’s debut Hard Eight.
Although it might be my favorite movie of the year, I almost don’t want to review Twinless. I want every viewer to go in with as little knowledge as possible.
Good Boy is a slight but fun idea for a film, the kind of shower brainstorm that rarely makes it to the page, let alone the screen.
In the attention economy, celebrity is both the means and the ends.
Happy Thanksgiving, one and all!
Hedda is a movie I can easily imagine a small subset of viewers declaring the best of the year, and I am very sure I am not one of those people.
You’d be hard-pressed to find a more poetic movie than The Red Balloon, Albert Lamorisse’s 34-minute daydream.
Dan and Brian tackle a recent release in James Sweeney’s Twinless.
Guillermo del Toro has finally dragged his dream project Frankenstein across the finish line, a decades-in-the-making adaptation that arrives with the weight of cinema prestige and awards expectations on its sewn-together shoulders.