After years of watered-down snarky comedies and diminishing returns, a major reinvention occurred at DreamWorks circa 2008-11.
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Shrek Forever After (2010)
The unholiest of Goods projects reaches its conclusion in the second Shrekisode
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Shrek the Third (2007)
Shrek the Third dares to ask: What if the series continued the gag-heavy structure of Shrek 2, but without a single funny joke?
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The Breadwinner (2026)
Nate Bargatze is a tremendously popular comedian whose standup already feels like watching a sitcom
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The Sheep Detectives (2026)
Any parent can tell you that there is an utter abundance of bad movies and TV shows made for kids.
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Backrooms (2026)
“Beware the buzzy horror release” has become such a mantra around here that I assume you’re sick of reading it.
And so it has come to this.
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Finding Emily (2026)
Finding Emily has a thesis about love, both literally and narratively:
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Voicemails for Isabelle (2026)
The romantic comedy has certainly seen better days as a genre.
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The Phantom of the Opera (1925)
Phantom of the Opera might be the most adapted horror story this side of Dracula.