Dan and Brian continue Maxi-Month with a look at a variety of films featuring growing things

Dan and Brian continue Maxi-Month with a look at a variety of films featuring growing things
Here’s my rule of thumb: don’t trust a critically acclaimed horror debut.
I will indulge the metaphor that repeatedly clanked around my head as I watched F1
Happy Feet Two suffers from a similar ailment to The Witches of Eastwick
It’s not impossible to imagine a world where Deanna Durbin and Judy Garland swapped careers.
It takes a special breed of actor for the name alone to be a brand and a promise to the viewer, but Douglas Fairbanks achieved that during his career.
Sorry, Baby is an absolute miracle of tone control.
It’s always amusing when a song from a movie’s soundtrack ends up outliving the film itself.
I am skeptical of platitudes hastily awarded to any animated feature premiering on Netflix in recent years.
On film social media, much virtual ink has been spilled anointing Eddington a future cult classic: