Today, I come to discuss a film that features two heartsick loners stuck on opposite ends of a chasm.
The Gorge (2025)

Today, I come to discuss a film that features two heartsick loners stuck on opposite ends of a chasm.
It is a truth universally acknowledged that a man who watches too many movies will be a dweeb.
After 62.5% of a season spent teasing out a labyrinthine network of connections and shady dealings between its cast, hinting at a larger agenda lurking beneath the surface of its events, S3 E6 is the episode that Gangs of London lays its cards on the table.
I am not well-read on the dramatic theory of romantic comedy, but one of my beliefs as a movie lover is that the genre works best when it culminates in not just the union of two partners, but the marriage of two ideologically opposed worldviews that, against all odds, find compromise or even synthesis.
Well, what are we to do with this?
George Miller is either mad or a genius — or very likely both.
I use the term “Sundance-core” pretty frequently here on The Goods, and if you are approximately my demographic, you surely knew these movies well
I frankly would not have believed a story this small would work as a movie if not for the good word of mouth.
The woman is grief, but grief is complicated.
Rollie Tyler (Bryan Brown) is the best practical special effects artist in the business