Out of all the films I’ve reviewed for The Goods, I’m not sure there’s a single one where my watching was more compromised than Barbarian.
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Weapons (2025)
Category: Review
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I Used to Be Funny (2023)
SXSW has, over the last decade, attracted a very specific kind of film
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Oh, Hi! (2025)
2025 has been the year of tonal whiplash, and I’m not even talking about the news cycle.
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Together (2025)
Here’s my rule of thumb: don’t trust a critically acclaimed horror debut.
I will indulge the metaphor that repeatedly clanked around my head as I watched F1
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Happy Feet Two (2011)
Happy Feet Two suffers from a similar ailment to The Witches of Eastwick
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First Love (1939)
It’s not impossible to imagine a world where Deanna Durbin and Judy Garland swapped careers.
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The Thief of Bagdad (1924)
It takes a special breed of actor for the name alone to be a brand and a promise to the viewer, but Douglas Fairbanks achieved that during his career.
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Sorry, Baby (2025)
Sorry, Baby is an absolute miracle of tone control.
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Loser (2000)
It’s always amusing when a song from a movie’s soundtrack ends up outliving the film itself.